News Archives - DRUM! Magazine https://drummagazine.com/category/news/ Play Better Now Wed, 05 May 2021 20:47:40 +0000 en-US hourly 1 https://wordpress.org/?v=6.2.2 https://drummagazine.com/wp-content/uploads/2020/10/cropped-balck-favicon-drum-32x32.png News Archives - DRUM! Magazine https://drummagazine.com/category/news/ 32 32 115209015 Drum News: Watch PASIC 2020 Sessions; Yamaha’s DTX6 E-Drums; DW’s Dave Grohl Icon Snare; Adoro’s ‘Silent Beater’ https://drummagazine.com/drum-news-watch-pasic-2020-sessions-yamahas-dtx6-e-drums-dws-dave-grohl-icon-snare-adoros-silent-beater/ Tue, 08 Dec 2020 19:18:59 +0000 https://drummagazine.com/?p=19645 DW Dave Grohl Icon snare drum
By Nicolas Grizzle This edition of Drum News covers how you can still register to view PASIC 2020 and register to participate in PASIC 2021, Yamaha’s DTX6-series e-drums, DW’s Dave Grohl Icon series snare drum, and Adoro’s “Silent” beater and sticks. PASIC 2021 Artist Registration Open, 2020 Virtual Sessions Still Available to View The Percussive […]

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DW Dave Grohl Icon snare drum
By Nicolas Grizzle

This edition of Drum News covers how you can still register to view PASIC 2020 and register to participate in PASIC 2021, Yamaha’s DTX6-series e-drums, DW’s Dave Grohl Icon series snare drum, and Adoro’s “Silent” beater and sticks.

PASIC 2021 Artist Registration Open, 2020 Virtual Sessions Still Available to View

The Percussive Arts Society International Convention, one of the largest drum and percussion events in the world, will be taking place on November 10-13, 2021. Though the 2020 event, held last month, was completely online, “We are planning on an in-person PASIC 2021,” says the Percussive Arts Society, which hosts the annual event. “At this time we have no plans to make 2021 a virtual only event.”

PAS artist members are encouraged to apply now to perform in front of thousands of percussionists and drummers from around the world in 2021. Applications are due before January 19, 2021.

You can also still register to attend (well, watch the recorded sessions) the PASIC 2020 event. Registration is open until December 21, 2020, and the sessions will be viewable through December 31, 2020.

Yamaha Unveils New DTX6 Series E-Drums

Yamahas DTX6K3-X

Yamaha has released a new line of electronic drums, the DTX6 series. It includes the DTX6K-X, DTX6K2-X and DTX6K3-X models.

All kits include the new DTX-PRO module featuring the Kit Modifier, which allows for changing sounds alter sounds dynamically with EQ effects including ambiance and compression with the turn of a knob. It also includes new professionally sampled sounds and effects recorded around the world in renowned studios, with more than 30 preset kits and room for 200 user-defined kits. Improvements to the module include expanded polyphony and lightning-fast triggering speed. The module is compatible with all current DTX pads, as well as with other triggering devices and pads.

As for hardware, the DTX6K-X and DTX6K2-X include single-zone, rubber pads on the toms, while the DTX6K3-X has multi-zone silicone pads across the board. The DTX6K2-X and DTX6K3-X models come equipped with the new RS6 rack with “L” shaped legs for enhanced stability, top-of-the-line PCY135 cymbals, and a redesigned kick drum tower. The DTX6K3-X also includes Yamaha’s chain-driven HS-650A hi-hat pedal.

The DTX6 Series comes integrated with Yamaha’s popular and free iOS/Android Rec’n’Share app that allows drummers to record audio and video from the e-kit along with songs from their music library and easily share their performances with the world. Retail prices for the kits are $999-$1,799.

DW Releases Dave Grohl Icon Signature Snare Drum & New Pedal Colors

This month, one of rock music’s best-known drummers finally gets a signature snare drum, it it really couldn’t be more personal. Dave Grohl’s face is inlayed into the teal-dyed birdseye maple outer veneer on DW’s new 14” x 6.5” Dave Grohl Icon snare drum.

It’s also got the Sound City logo, a nod to the studio where Nirvana recorded the groundbreaking album Nevermind, as well as the title of Grohl’s documentary about the studio. Said Grohl in a press release, “This is something that blows my mind. I’ve never had my own snare drum before, and this is pretty beautiful.”

In addition to being a prized collectable, the drum is also highly playable. It’s made from 11-plies of North American hard rock maple with VLT grain orientation technology, and fitted with DW’s top-of-the-line hoops (triple-flanged) and wires, as well as it’s MAG throw-off with 3P butt plate. Of course, it includes a Deluxe DW carrying case, certificate of authenticity and Sound City hat. Only 250 of these drums will be made. A portion of proceeds from the sale of each snare will be donated to the charity nominated by Grohl, National Independent Venue Association. Retail price for this drum is $1,599.

DW has also released two new colors of its MFG pedal series. Called ColorBoards (retail $529-$1,099), this is the latest addition to DW’s flagship line of single and double pedals, as well as a direct drive hi-hat (bass drum pedals are available in direct drive and chain drive). The new pedals feature footboards and matching heel plates in three color options:cobalt, graphite and the original gun metal finishes.

DW says the new colors were inspired by motor racing. DW endorsee Thomas Lang, who you can and should check out in the video above playing the new pedals, said in a press release, “The first time I put my feet on a pair of Machined Chain Drive pedals it felt like putting on a perfectly tailored custom pair of shoes. Now I even have a palette of colors to choose from to perfectly match the style of my kit.”

Adoro Releases ‘Silent Beater’ and ‘Silent E-Sticks’

German drum and accessories brand Adoro has released a bass drum beater designed to cut bass drum volume in half without muting the drum.

Dubbed the Silent Beater, Adoro CEO Stefan Korth says it “provides an efficient and inexpensive means to reduce acoustic drum set sound levels in volume-sensitive situations like churches, school bands, acoustic groups, music classes, and home practice. Play as normal yet sound only half as loud.”

The beater (retail price $26), assembled by hand at Adoro HQ in Hamburg, Germany, consists of a barrel-shaped beater head of high-density shock-absorbing rubber affixed to a polymer rod set into a metal sleeve that fits any bass drum pedal. A Velcro-affixed contact pad of felt on the batter end of the beater head softens the blow as it and the Velcro compress upon impact.

“When the Silent Beater strikes the bass head,” says Korth, “the compression of the Velcro beater dot, the soft rubber of the beater, and the flex of the polymer rod combine to absorb the shock. The impact of the stroke is reduced, and that cuts the volume. There is no muting. Everything plays like normal, yet the sound level is cut in half.”

The company has also released a new set of drumsticks designed specifically to reduce acoustic volume when playing electronic drum kits. The Silent E-Sticks (retail price $24) build on the principals of the company’s Silent Sticks, using their Dual Loop Reflex Tips to reduce the pad noise of electronic drums and practice pads.

With their blue X-Grip handles, Silent E Sticks differ from the black-grip Silent Sticks in subtle ways. The X-grips are slightly larger and softer for increased shock absorption. And the tips are of a softer gauge of monofilament nylon that flexes more readily upon contact to virtually eliminate pad thwack while still triggering the pads as normal. “That touch sensitivity of e-drums means the tips of Silent E Sticks can be softer, more flexible and much, much quieter than any wood drumstick,” says Korth.

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Drum News: Roland’s New $999 V-Drums; Pearl Joins Drumstick Game; Gretsch Heritage Livestream Show; Evans Face Shield Update https://drummagazine.com/drum-news-rolands-new-999-v-drums-pearl-joins-drumstick-game-gretsch-heritage-livestream-show-evans-face-shield-update/ Tue, 27 Oct 2020 12:00:00 +0000 https://drummagazine.com/?p=19440 roland td 06kv e-drums
In this edition of drum news: Roland announces a budget-friendly e-drum kit; Pearl joins the drumstick business; Gretsch announces a new livestream web show; and Evans receives a grant to expand its face shield PPE manufacturing. Roland Introduces Budget-friendly, Mesh-headed TD-07KV E-Drums Roland’s latest addition to its acclaimed V-Drums series is the TD-07KV electronic drum […]

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roland td 06kv e-drums

In this edition of drum news: Roland announces a budget-friendly e-drum kit; Pearl joins the drumstick business; Gretsch announces a new livestream web show; and Evans receives a grant to expand its face shield PPE manufacturing.

Roland Introduces Budget-friendly, Mesh-headed TD-07KV E-Drums

Roland’s latest addition to its acclaimed V-Drums series is the TD-07KV electronic drum set, a compact and affordable new kit retailing at $999. It includes Roland mesh-head snare and tom pads, large V-Cymbals, premium drum sounds, Bluetooth and USB connectivity, and more.

The TD-07 sound module is filled with acoustic drums and percussion captured in precise detail in pro studios, combined with V-Drums technologies that make them behave just like acoustic counterparts. There’s also a wide range of electronic percussion, and editing tools for personalizing each sound, including pitch, damping, room sound, and individual EQs and transient editors. With onboard Bluetooth, users can call up tracks on a smartphone, tablet, or computer and wirelessly hear the audio through the module alongside the drums. MIDI transmission over Bluetooth is also supported, allowing users to record MIDI data in music apps cable-free.

The kit includes Roland’s PDX-8 8-inch snare pad with independent head and rim zones for assigning different sounds, and three PDX-6A 6-inch tom pads with single-zone triggering. The kit also includes Roland’s CY-8 12-inch pads for crash and ride cymbals, a 10-inch hi-hat with integrated pedal, and a KD-10 kick pad.

The company says its new TD-07KV is designed to be quieter than other e-kits without sacrificing feel. Mesh heads minimize pad noise, while special damping in the kick pad reduces noise and vibration. The stand components are also designed to reduce vibration and noise transfer.

The TD-07KV also integrates seamlessly with Melodics, a Mac/Windows software application that offers a growing selection of free drum lessons to develop rhythm, timing, and muscle memory. Access to 40 lessons is provided for free, with unlimited lesson access available with a subscription.

Pearl Getting Into the Drumstick Business  

Nashville-based Pearl Drums has announced a partnership with Swedish company Wincent Drumsticks to distribute sticks in the United States.

“Wincent is a legendary European brand, but the hickory they use to make their sticks comes from right up the road from us, in Bowling Green, Kentucky,” said Glen Caruba, Pearl’s VP of sales and marketing. “We tested and scrutinized the sticks and player after player commented about how great the sticks felt and how long they lasted. We did not go looking for this opportunity but based on the superior quality of the product it seemed like this is the right time for Pearl USA to get into the drumstick business.” 

Wincent Drumsticks was established in Sweden in 1992. The sticks are manufactured using a stone lathing process with a unique wax protection applied that compliments the feel and durability of the sticks. Each pair of Wincent sticks is butt-end branded with the stick size, so when you look down into your stick bag the various sizes are easily identifiable.

“It has been a goal to partner with Pearl Corporation and now it is a reality, and we will make every effort to satisfy the U.S. market,” said Dan Nylén, founder & CEO of Wincent Drumsticks. 

The Wincent product portfolio includes drumsticks, brushes, rods, mallets, and percussion accessories like practice pads, drum keys, stick grips and tone gel. Pearl will begin accepting orders for Wincent products immediately and has inventory ready to ship.

Gretsch Announces Bi-Weekly Livestream ‘Heritage’ Show

Gretsch Drums is launching a brand new live stream show called “Gretsch Heritage,” bringing to life the brand’s rich history. The show airs every other Wednesday, and each episode will feature special guests who continue to play important roles in the ongoing story of Gretsch Drums today.

The first episode, which aired Oct. 14, is hosted by Lucas Von Gretsch, a 5th generation Gretsch family member. It looks at the early history of the brand, focusing on the company’s founder Friedrich Gretsch. Later episodes will chronicle the company’s history and reveal the challenges and successes of his ancestors.

The show is part of DW’s media production company Drum Network (DW is the parent company of Gretsch drums). Other Drum Network shows include DW Playlist Party, LP Stories, Gretsch Generations, Fitness Friday, and Get It Started. The shows are hosted by and feature guests on the company’s artist roster.

evans drumhead face shield

Evans Drumheads Receives Grant to Expand Face Shield Manufacturing

New York State and the Empire State Development Corporation recently showed their support for Evans Drumheads’ parent company D’Addario’s altruistic innovation, awarding the company a $341,000 grant to expand face shield manufacturing operations. D’Addario says it will use the grant to build four semi-automated “work cells” to improve efficiency, lower manufacturing cost, and double production capacity.

Evans started making face shields from its Evans G2 drumhead material in April, when manufacturing plants were shut down due to Covid-19. The company’s pivot to making personal protective equipment (PPE) allowed the factory to remain open to produce much-needed essential equipment for frontline healthcare workers in its home state of New York. D’Addario has sold almost 1.5 million face shields to date, primarily to hospitals and healthcare equipment distributors, through its Dynatomy subsidiary.

Lieutenant Governor Kathleen Hochul visited D’Addario’s Farmingdale factory on Oct. 23 to tour the facility and learn more about the company’s COVID-19 Face Shield Initiative. “At a time when we were scouring the earth in search of personal protective equipment, New York State’s manufacturers like D’Addario answered the call to support our COVID-19 frontline heroes,” she said. “We are proud to support our innovative manufacturers who are stepping up to save lives and are a model for how we build back better for the post-pandemic future.”

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Lotus Drummer Mike Greenfield Describes Creative Process, Afrobeat Influence on New Song ‘Snake Island’ https://drummagazine.com/lotus-drummer-mike-greenfield-describes-creative-process-afrobeat-influence-on-new-song-snake-island/ Fri, 18 Sep 2020 12:00:00 +0000 https://drummagazine.com/?p=19231 Lotus drummer Mike Greenfield
By Nicolas Grizzle As the drummer for 20-year-old jam band Lotus, Mike Greenfield is an expert at getting a crowd to dance. The band’s 10th studio album, Free Swim, was released last month, and in this video Greenfield breaks down how he incorporated Afrobeat rhythms and other world music patterns into the song “Snake Island.” […]

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Lotus drummer Mike Greenfield
By Nicolas Grizzle

As the drummer for 20-year-old jam band Lotus, Mike Greenfield is an expert at getting a crowd to dance. The band’s 10th studio album, Free Swim, was released last month, and in this video Greenfield breaks down how he incorporated Afrobeat rhythms and other world music patterns into the song “Snake Island.”

The influence for the pattern, he says, came from drummer Tony Allen, who invented the Afrobeat genre with Fela Kuti in the 1970s. “For me, the drumming of Tony Allen embodies an incredible amount of syncopation and finesse, which is similar to what Clyde Stubblefield and Jabo Starks were doing with James Brown during the same time in the ‘60s,” Greenfield said in an email to Drum! magazine. “However, Tony Allen and Afrobeat drumming comes at that sound from a different perspective… The phrasing can be very foreign to American drummers and embracing it can lead to some very unique rhythms in your own playing.”

Lotus is a band known for incorporating many styles into its music, including dance, pop, electronica, jazz, funk, and rock, combined with rhythms from around world. “There are so many drummers who just concentrate on one style of music,” said Greenfield. “Even if you primarily play rock music, your palate can be greatly expanded by listening to and playing other styles.”

The new album, he says, is a “natural progression” from their previous studio album, Frames Per Second. “Free Swim expanded upon this emotionally and stylistically. In addition to our dance songs, it also incorporates drum and bass, Afrobeat, and several slower impassioned ballads.”

It helps that he is allowed the creative freedom to create his own grooves and drum parts on his hybrid drum set. For “Snake Island,” he felt an Afrobeat influence on the demo and ran with it. The main beat he came up with starts with two eighth-note snare hits in the beginning and sounds like a rock beat flipped on its head.

Under the guitar solo, he plays a disco-y pea soup beat. Then, in the second half of the song he plays a soca beat from Trinidad mixed with part of an Afro-Cuban cascara rhythm. The result is a song that’s hard to resist dancing to.

Such a big part of Lotus’ energy is about playing live shows, something they haven’t been able to do since March thanks to the pandemic shutdown. But the band did get to take part in an interesting live, in-person concert earlier this month when they performed as part of the 12-concert Live-in/Drive-in series at Citizens Bank Park in Philadelphia—well, at the parking lot adjacent to the park, technically.

“To be honest, I was a little apprehensive when I was first told about the drive-in show.  I thought that it would be strange to play to people in cars spread throughout a large parking lot without a PA on stage,” said Greenfield. “While the experience was a bit odd, it was so incredible to play live music again with the boys!”

Another aspect was specific to Lotus’ genre, which practically requires dancing as part of the experience. “Sometimes jam band audiences can be very particular with live concerts, but everyone was so happy to actually be at a show again that some of the problematic aspects of being at a drive-in show were ignored and everyone had a great time,” said Greenfield. “I had a lot of fans reach out after the show to tell me how much it meant to them.”

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Drum News: A&F’s Launches Vintage-inspired Hardware Line; DW Releases 3.14” ‘Pi’ Piccolo Snare https://drummagazine.com/drum-news-a-dw-releases-3-14-pi-piccolo-snare/ Fri, 14 Aug 2020 12:00:00 +0000 https://drummagazine.com/?p=19024 DW pi snare and A&F hardware
By Nicolas Grizzle In this edition of drum news, we see new products inspired by history. One draws from relatively modern developments, harkening back a mere 100 years, while the other pulls from concepts known for about 4,000 years. A&F Pulls From Yesteryear for New Hardware Design A&F Drum Co. has released a new line […]

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DW pi snare and A&F hardware
By Nicolas Grizzle

In this edition of drum news, we see new products inspired by history. One draws from relatively modern developments, harkening back a mere 100 years, while the other pulls from concepts known for about 4,000 years.

A&F Pulls From Yesteryear for New Hardware Design

A&F Drum Co. has released a new line of hardware that harkens back to drum sets of yore, with modern engineering and durability upgrades. The nickel-plated steel hardware line includes cymbal stands, snare stands, and some accessories, all with A&F’s characteristic vintage aesthetic.

The snare stands ($149-$159) operate like vintage, lightweight stands, with one arm of the basket featuring adjustable length and the arms folding together horizontally for storage. The snare stands come in two sizes: one holding 10” to 16” snares and one holding 18” to 22” snares. That larger size might seem unnecessary but if you’ve seen A&F’s Pancake or Shotgun snares, this will immediately make sense.

The cymbals stands ($169–$179) feature round, rubber feet and a 360-degree height adjustment wingnut that swivels around the stand to be reachable no matter where it’s placed in relation to your throne. Aluminum tension washers in the head and boom arm tilters are designed to be replaceable, as these parts of stands are one of the first to wear out with continuous use and adjustment in any hardware set.

Both the cymbal and snare stands have pull-pin tripod legs with three notches, for flat or angled placement. The nickel plating is designed to wear over time to develop a patinaed, worn look, like pieces from the early 1900’s.

Accessories include an update to the company’s Kickbone to make it modular, allowing it to accommodate 10” to 16”–deep bass drums. The company also introduced a bass drum hoop–mounted clamp and L-arm with matching aesthetic.

There were some hints at this release at NAMM back in January, and the company says the first production run was supposed to ship in late March. Due to Covid-19, that was delayed until late July, and now, in mid-August, the hardware is finally available.

DW Takes Math Rock Literally with New ‘Pi’ Snare

Drum Workshop has released a Collector’s Series piccolo snare drum with a depth of 3.14”, a nod to the mathematical constant Pi, which was first used around 1900 BC by ancient Babylonian and Egyptian civilizations.

The Pi piccolo snare ($600–$800) features a newly-designed, two-piece mini turret lug that houses independent lug receivers, as well as DW’s compact Mini MAG Throw-Off, 3.0 steel True-Hoops, 3-position butt plate, and 20-stand snare wires. The 14” diameter drum is available in wood or carbon fiber.

DW notes the drum’s “quick and snappy” response with “dry, crisp, clean fundamental tones” and a wide tuning range considering its shallow depth. “This drum is sensitive and has its own tonal character depending on the shell material chosen, but it’s also a shotgun! I mean this thing is loud!” said DW VP and drum designer John Good. “We’ve been wanting to engineer some new hardware that would allow us to accommodate shallower depths. Rich Sikra and his design team did an outstanding job on the new lug and Mini MAG. We even designed a new mini Collector’s badge to fit these drums.”

Please note the above article includes affiliate links, meaning Drum! will earn a small commission (at no cost to you) when you click through and make a purchase. Thanks for your support!

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PASIC Announces Virtual Conference in Lieu of Indianapolis Gathering https://drummagazine.com/pasic-announces-virtual-conference-in-lieu-of-indianapolis-gathering/ Tue, 30 Jun 2020 12:00:18 +0000 https://drummagazine.com/?p=18886 pasic 2020
The annual Percussive Arts Society International Conference (PASIC) will be held online this year due to Covid-19. “After much consideration, the PAS Board of Directors has made the difficult decision to move PASIC 2020 to an online virtual event,” the nonprofit announced Monday, June 29. “Making this decision was not easy, but we believe it […]

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pasic 2020

The annual Percussive Arts Society International Conference (PASIC) will be held online this year due to Covid-19.

“After much consideration, the PAS Board of Directors has made the difficult decision to move PASIC 2020 to an online virtual event,” the nonprofit announced Monday, June 29. “Making this decision was not easy, but we believe it is the right decision for the safety of our staff, artists, members, students, volunteers, industry partners, and general attendees.”

The conference is typically held in November each year in Indianapolis, Indiana. It draws thousands of drummers and percussionists, many of whom perform with their school ensembles. The event includes clinics, masterclasses, performances (including world premieres), and a large expo hall. This year, PASIC will be a two-day event held on Friday, November 13 and Saturday, November 14. Registration will open in early September, and Early Bird prices will be $50 for student members, $100 for non-student members, and $175 for non-members.

“Nothing can replace what it’s like to attend PASIC in person. However, we’re excited to reinvent that same unique experience you have come to rely on in a virtual setting,” said the Percussive Arts Society. “We guarantee that the look, feel, and quality you expect out of an in-person PASIC will still be part of your 2020 virtual experience.”

More details for this year’s virtual event will be announced from PAS on its social media channels in the coming weeks and months. The organization hopes to gather in person at PASIC in November next year for its 60th anniversary celebration.

The Artists You Can’t Miss Are All At PASIC

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KoSA 25th Anniversary Drum Camp Will Be Held Virtually https://drummagazine.com/kosa-25th-anniversary-drum-camp-will-be-held-virtually/ Mon, 22 Jun 2020 21:03:42 +0000 https://drummagazine.com/?p=18850 kosa drum camp
The KoSA International Percussion Workshop and Festival will be holding its annual drum camp virtually this year, July 6–10, the Montreal, Canada-based company announced today. This year marks the first time KoSA will hold the event online. This year also marks the inaugural KoSA drum set and percussion competition, which will be open to all […]

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kosa drum camp

The KoSA International Percussion Workshop and Festival will be holding its annual drum camp virtually this year, July 6–10, the Montreal, Canada-based company announced today. This year marks the first time KoSA will hold the event online. This year also marks the inaugural KoSA drum set and percussion competition, which will be open to all participants who register for the camp.

The KoSA workshop is a hands-on intensive drum and percussion camp. The course of study includes a diverse range of styles and techniques including rock, jazz, Cuban, funk, and classical percussion, as well as virtual ensemble technology and classes in music business and self-promotion for all levels.

The online format will remain focused on creating an intimate setting with small daily classes, with participants being called upon to play in all four daily classes. The workshop culminates in an evening concert competition by participants performing a short piece (solo or with a track) in front of their virtual audience.

Confirmed faculty for this year’s workshop include Chester Thompson, John Riley, David Garibaldi, Bill Bachman, Mike Clark, Marcus Santos, Allan Molnar, Jim Norris, Rick Van Horn, Paul Picard, Dominic Messier, Jim Riley, and Aldo Mazza.

2018 Drum Camp Guide

KoSA Cuba One-Week Study Program and the Havana Drum Festival

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Drum News: Music City Drum Show Postponed; DW Releases ‘Timekeeper’ Collector’s Snare https://drummagazine.com/drum-news-music-city-drum-show-postponed-dw-releases-timekeeper-collectors-snare/ Mon, 01 Jun 2020 23:56:36 +0000 https://drummagazine.com/?p=18779 dw drums timekeeper snare drum
In this edition of Drum News, a drum show gets postponed and a drum company releases an art-piece snare with 351 pieces of inlay. Music City Drum Show Postponed to 2021 The inaugural Music City Drum Show will have to wait a year. The organizers sent an email Monday announcing the show will be put […]

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dw drums timekeeper snare drum

In this edition of Drum News, a drum show gets postponed and a drum company releases an art-piece snare with 351 pieces of inlay.

Music City Drum Show Postponed to 2021

The inaugural Music City Drum Show will have to wait a year. The organizers sent an email Monday announcing the show will be put on hold: “While not an easy decision to make, we are making the socially responsible decision to postpone the Music City Drum Show until 2021 (August 7, 2021).”

The show was originally slated to take place August 8, 2020, at the Nashville fairgrounds, with 25,000 feet of expo space and clinics by Niy Zidkyahu, Mike Dawson, and Brian Quick.

“While this heartbreaking decision was difficult to make, we know it’s the right one, with the health and safety of our attendees, staff, artists, vendors, community, and supporters in mind,” read the email. Exhibitor and admission fees will be carried over to August 2021.

DW Releases Collector’s Series ‘Timekeeper’ Snare Drum

Drum Workshop has released a new snare, created as a tribute to timekeepers who shine by locking in the beat and helping a song shine. The 14” x 6.5” Timekeeper, as it’s called, is decorated with 351 pieces of clock-and-gear wood inlays.

“Some of my favorite drummers do just that—they keep time,” said DW vice president and drum designer. “And they do it in a way that is so admirable. These often-unsung players play for the song. It’s a cliché, but it’s so right on the money. The Timekeeper is in tribute to those players.”

Each piece of exotic and dyed laser-cut material is meticulously hand-inlayed into the 1/36”-thick top veneer of a Pure Purpleheart shell. The 11-ply VLT shell is made at the DW California Custom Shop and outfitted with custom True-Hoops with faux leather inlay, True-Tone Snare Wires, MAG Throw-Off System with 3-position butt plate, and more, finished in limited edition Antique Bronze. The drum comes with a DW carrying case and will retail for $2,307.

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Hot Licks: The Drummers of Early Rock & Roll https://drummagazine.com/hot-licks-the-drummers-of-early-rock-roll/ Sun, 10 May 2020 23:00:20 +0000 https://drummagazine.com/?p=18686 Drummer DJ Fontana with Elvis
BY BRAD SCHLUETER | FROM THE MAY 2008 ISSUE OF DRUM! Rock and roll began as a fusion of R&B chord patterns, boogie-woogie piano rhythms, and a strong backbeat, which made the music exciting and danceable, from artists like Little Richard, Elvis Presley, Chuck Berry, Fats Domino, and many others. Some artists mixed popular country […]

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Drummer DJ Fontana with Elvis

BY BRAD SCHLUETER | FROM THE MAY 2008 ISSUE OF DRUM!

Rock and roll began as a fusion of R&B chord patterns, boogie-woogie piano rhythms, and a strong backbeat, which made the music exciting and danceable, from artists like Little Richard, Elvis Presley, Chuck Berry, Fats Domino, and many others. Some artists mixed popular country influences with R&B, creating what was later dubbed rocka­billy. But this music was more than rhythms and chord progressions. Culturally, it marked the beginning of the slow change in race relations in the United States and the gradual ac­ceptance of minorities by the white majority, first as athletes and entertainers. In this era, the music was often recorded directly to acetate, which forced the musicians to get it right on the first take. Let’s take a look at some of the drum parts that launched a musical revolution.

“Johnny B. Goode”

Chuck Berry

This was one of Berry’s many hit songs and its intro has carved it­self into our collective con­sciousness. It was on “Johnny B. Goode” that Berry first employed the new studio technique of overdubbing to record the guitar solos. Fred Below recorded the drums on many of Berry’s Chess Records hits, and like much of the music from this era, this song has a light swing that falls somewhere between a sixteenth-note and a triplet feel.

Johnny B. Goode

“Rock Around The Clock”

Bill Haley & The Comets

This classic slice of Americana was one of the very first rock and roll hits, and it features an interesting drum part—or a couple of them. The intro section has unison hits on the snare drum with the rhythm section. During the body of the song there appears to be a couple of simultaneous drum parts—one playing a shuffle on the rim of a drum (notated on the high tom rim) and the snare kicks, and the other playing the hi-hat—though it’s possible one drummer played the entire part. Session drummer Billy Gussak was used for the recording of this track instead of Haley’s regular drummer, Dick Richards. The bass drum (if played during the recording) is inaudible in this section, though could be played on counts 1 and 3 or on all the downbeats. The hi-hat part gets busier later in the song, and was probably played with a stick, though I wrote it here for drummers who want to test their left foot coordination.

Rock Around The Clock

 

“Blue Suede Shoes”

Carl Perkins

This song was one of rock’s first hits that also performed well on pop, country, and R&B charts, and was the first Sun release to sell a million copies. Out of friendship, Elvis delayed the release of his version until after Perkins’ original single had peaked on the charts. The beginning of this song has some 6/4 measures, which, according to drummer W. S. “Fluke” Holland, were the result of the band’s inexperience rather than an intentional compositional choice. The breaks later in the song revert to 4/4. Fluke went on to join Johnny Cash for a two-week tour, which lasted for the next 40 years. He also recorded all of Cash’s hits and was the first drummer to play a full set of drums at the Grand Ole Opry. We’ve notated the rim part as a tom rim, though it might have been played on the snare rim. If there was a bass drum part, it isn’t audible.

Blue Suede Shoes

“A Little Less Conversation”

Elvis Presley

Elvis Presley was known together, for fusing R&B and country but this song is pure rock and roll. However, if you’re only familiar with Junkie XL’s remix of the song you’ve missed out on funky drum fill that kicks off this a cool track. The fill may sound little odd since it starts on beat 2—the sticking used was probably RL LR RL LR. The song has a boogaloo groove that’s got a nice little ghost note on the e of 2. The tasty fill in the third measure uses an RRL RRL sticking. DJ Fontana was Elvis’ drummer for 14 years and recorded well over 400 songs with The King, including this one.

A Little Less Conversation

“Great Balls Of Fire”

Jerry Lee Lewis

Jerry Lee Lewis was one of early rock’s most dynamic and mixed scandalous performers, who mixed boogie-woogie, R&B, and gospel music to create his exciting and raucous songs. He was kicked out of Bible school for playing the Devil’s music, so it shouldn’t come as a surprise that his hit, “Great Balls Of Fire,” was considered blasphemous when it was released. There actually are only two instruments in addition to the vocals on this recording: Lewis’ piano, and the great drumming of J.M. Van Eaton, who was one of Sun Records’ session drummers and played with may musicians of the era, including Johnny Cash and Roy Orbison. It has a straight-ahead rock and roll groove and memorable intro that’s worth checking out. The snare notes sound like he was hitting the rim of the drum instead of the head.

Great Balls Of Fire

“Bo Diddley”

Bo Diddley

This tribal groove is based on a Latin 3:2 clave, which, as many of you know, is a rhythmic pattern whose accents fall on the 1 (2) & 4, 2 3. The original recording is of very poor quality and I can’t make out a bass drum part at all, but was a bit surprised to detect the two-tom melody that is usually ignored. Drummers often play the classic groove on the floor tom and play either the clave pattern or straight quarter-notes on the bass drum. It can also be played as N’awlins second-line groove on the snare drum with rudimental flourishes. Unfortunately, I couldn’t source the original drummer from the 1955 session. [EDITOR’S NOTE: It appears the drummer who first recorded this beat with Diddley was Clifton James.]

bo diddley drum beat

Bo Diddley

“Keep A Knockin’”

Little Richard

Most drummers don’t know that to John Bonham based his intro to Led Zeppelin’s “Rock And Roll” very, very closely—or perhaps just plain stole it—from Charles Connor‘s intro to Little Richard‘s song “Keep A Knockin’.” Like “Rock And Roll,” the intro is all beat in 4/4, and starts on the & of beat 3, though some drummers prefer to think of it starting or ending with a measure of 3/8. It definitely helps to count it out. If you listen to the two songs back to back, there are subtle differences, but it’s obvious that Connor’s stellar drumming made a huge impact on Bonzo.

Keep A Knockin’

“I’m Walkin’”

Fats Domino

This song’s funky intro will get your toes tapping and Earl Palmer‘s two-handed snare RLRL groove is another great drum pattern every drummer should know. The handclaps on the counts 2 and 4 keep the feel upbeat and moving. He plays this as a variation of a train beat with a light swing and a syncopated bass drum note on the ah of beat 2 in every other measure, which makes his groove ever-so-funky.

I’m Walkin

“Ain’t That A Shame”

Fats Domino

You might be more familiar with Cheap Trick’s remake of this early rock hit than the 1955 original, but Fats’ voice and superb piano playing, coupled with the deep pocket of Earl Palmer‘s drumming, made this song a classic.

Ain’t That A Shame

“Peggy Sue”

Buddy Holly And The Crickets

Drummer Jerry Allison suggested a new title for this song, which was originally titled “Cindy Lou” and also offered an unusual and signature sixteenth-note tom-tom groove that helped the song stand apart from other songs on the radio. More than a drummer, Allison cowrote “Peggy Sue,” “That’ll Be The Day,” “Not Fade Away,” and “More Than I Can Say,” though the band’s manager altered the songwriting credits. Years later, the drummer married Peggy Sue Gerron, the high school sophomore the song was named after. Allison never changes the drum part during the song, but occasionally adds brief crescendos to this two-and­-a-half-minute tom roll.

Peggy Sue

“The Twist,” “Let’s Twist Again,” and “Slow Twistin’”

Chubby Checker

The twist beat is a classic drum groove that features a snare pattern of three notes that fall on 2 & and 4, adding a little syncopation to the standard rock beat with backbeats on 2 and 4. Ironically, neither “The Twist” nor “Let’s Twist Again” uses that drum beat. However, Checker’s duet with Dee Dee Sharp on “Slow Twistin‘” does employ the beat the dance style is associated with it. Ellis Tollin was the creative drummer behind these slyly suggestive songs.

Twist beat

 

The post Hot Licks: The Drummers of Early Rock & Roll appeared first on DRUM! Magazine.

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PMC Offering Chance for a Free Lesson With a Master Drummer https://drummagazine.com/pmc-offering-chance-for-a-free-lesson-with-a-master-drummer/ Fri, 01 May 2020 12:00:55 +0000 https://drummagazine.com/?p=18356 PMC drum lesson with a master
How would you like a drum lesson with a top pro like Rich Redmond? Percussion Marketing Council (PMC) is celebrating International Drum Month (May) 2020 by giving away just that. Beginning in May, randomly selected winners will be chosen each month through December to receive a private lesson with an internationally recognized drummer. Participating pros […]

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PMC drum lesson with a master

How would you like a drum lesson with a top pro like Rich Redmond? Percussion Marketing Council (PMC) is celebrating International Drum Month (May) 2020 by giving away just that. Beginning in May, randomly selected winners will be chosen each month through December to receive a private lesson with an internationally recognized drummer. Participating pros include Rich Redmond (Jason Aldean), Rick Latham (educator, author of Advanced Funk Studies), David Stanoch (educator, author of Mastering the Tables of Time), and Gorden Campbell (Earth, Wind & Fire, George Duke, Herbie Hancock, Ne-Yo).

“The PMC wanted to create a connection for all drummers during this special 25th anniversary year by establishing an educational opportunity for drummers to learn from and experience a one-hour private online lesson with some of the industry’s most respected players,” says PMC spokesman Stacey Montgomery-Clark.

This promotion is open to anyone 10 years of age and older, who have been playing drums for a minimum of one year. Enter at playdrums.com for a chance to win a one-hour video-conference lesson.

The post PMC Offering Chance for a Free Lesson With a Master Drummer appeared first on DRUM! Magazine.

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Mötley Crüe Drummer Tommy Lee Returns to DW Drums https://drummagazine.com/tommy-lee-returns-to-dw-drums/ Thu, 30 Apr 2020 18:49:32 +0000 https://drummagazine.com/?p=18658 motley crue drummer tommy lee joins dw drums
Mötley Crüe drummer Tommy Lee has signed an endorsement deal with DW Drums, the Southern California company announced today. He previously endorsed the company in the late ‘80s and ‘90s. The hard rock superstar will be playing DW drums, pedals, and hardware for the foreseeable future. “DW is delighted to welcome back Tommy Lee to […]

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motley crue drummer tommy lee joins dw drums

Mötley Crüe drummer Tommy Lee has signed an endorsement deal with DW Drums, the Southern California company announced today. He previously endorsed the company in the late ‘80s and ‘90s. The hard rock superstar will be playing DW drums, pedals, and hardware for the foreseeable future.

“DW is delighted to welcome back Tommy Lee to the DW Family,” the company said in a statement. He toured with his first DW kit during the Dr. Feelgood era and was featured in DW’s popular American Dream video series in the early 90s. He previously played Pearl drums, and has also been a Tama and Sonor artist in his career.

“Welcome back?” Lee said in a statement. “I never left. I just took a little journey trying some new things… I’m insanely excited about (DW) and the new gear. So stoked to share everything with ya!”

Mötley Crüe is currently enjoying a massive new audience since the release of the Netflix film “The Dirt,” a dramatized biopic of the band. A stadium tour is currently scheduled to begin this summer in Jacksonville on June 18. The tour, consisting of 31 shows, has already sold more than 1 million tickets in 25 stadiums. Joining the band on tour will be Def Leppard, Poison, and Joan Jett and the Blackhearts. As of this date there has been no official announcement on whether the tour will take place as scheduled, though many other big acts have cancelled or postponed their summer tours, including Green Day and Bon Jovi.

In November last year, the band destroyed the “cessation of touring agreement” that each of the four members signed in 2014 to kick off their “farewell tour.”

Tommy Lee is one of the most entertaining drummers in rock. His famous gravity defying drums solos, including the famous roller coaster, have inspired many drummers from bar bands to metal’s biggest names. Lee’s drumming helped define and power the pulsating heartbeat of Mötley Crüe, and his hard-living, rockstar persona and high-profile social life propelled him to become a pop culture, household name.

For anyone looking for that ’90s nostalgia fix:

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